Instituto Moll

2024

Published marzo 13, 2024
No. 2. Extra Issue
Tribute to professor Matías Díaz Padrón (1935-2022)
Full Issue
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Articles

Ana Diéguez Rodríguez
5-8
Finis Coronat Opus (The End Crowns the Work). Tribute Issue to the Art Historian Matías Díaz Padrón
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Magdala García
9-44
Matías Díaz Padrón (Valverde de El Hierro, 1935-Madrid, 2022). His contributions to the History of Art and the Preservation of the Cultural Heritage
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Roberto Muñoz Martín
45-68
‘The triumph of Time’. Humanist Tapestries in the Court of Isabel the Catholic and her Subsequent Fortune
https://doi.org/10.25293/philostrato.2024.01
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Isabelle Lecocq
69-89
Richard Hoesman, Designer and Maker of Stained Glass Windows for Érard de La Marck, Banished from Liège in 1533
https://doi.org/10.25293/philostrato.2024.02
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Veronique Bücken
91-110
An Unknown Painting by the Master of Paul and Barnabas in the Cathedral of Bordeaux: the Crucifixion of Saint Andrew
https://doi.org/10.25293/philostrato.2024.03
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Carmen García-Frías Checa
111-140
New Considerations on the Paintings of Michiel Coxcie in the Royal Collections of Patrimonio Nacional
https://doi.org/10.25293/philostrato.2024.04
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Almudena Pérez de Tudela
141-165
The Portraitists of the Savoy Court during 16th century and their Relationships with Spain
https://doi.org/10.25293/philostrato.2024.05
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Juan María Cruz Yábar
167-181
The Portraits of two Brothers in the Kunsthistorisches Museum of Vienna by Van Dyck: Juan and Pedro van Vucht, Commissioned by their Father Jan van Vucht
https://doi.org/10.25293/philostrato.2024.06
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Sirga de la Pisa
183-205
Peter van Lint in Spain: Jan Meyssens's Engraving (1649) as a Source for Lázaro Díaz del Valle (1656-1659)
https://doi.org/10.25293/philostrato.2024.07
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Jahel Sanzsalazar
207-235
Brothers under the Skin. The Portrait of Sir Arthur Hopton and his Secretary by Jacob van Oost
https://doi.org/10.25293/philostrato.2024.08
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Gloria Martínez Leiva
237-285
Monarchical and Nobiliary Exaltation: The Decorative Program at Cusano Palace in Milan
https://doi.org/10.25293/philostrato.2024.09
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Miscellany

Ana Diéguez Rodríguez
287-305
Bernaert de Rijckere, an Artist in Frans Floris's Shadow. On the Female Tronies of the Bilbao Fine Arts Museum (Spain) and the National Museum in Warsaw (Poland)
https://doi.org/10.25293/philostrato.2024.10
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Eloy González Martínez
307-328
About Benito Sánchez Galindo and the Master of the Panel of San Benito of Montserrat: Paintings from the Altarpiece of the Chapel of San Salvador or Talavera (Salamanca, Catedral Vieja)
https://doi.org/10.25293/philostrato.2024.11
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Mercedes Simal López
329-342
The Sale of Paintings by Jean de Croÿ, II Count of Solre, to Philip IV in 1638 for the Decoration of the Royal Alcazar of Madrid
https://doi.org/10.25293/philostrato.2024.12
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José Javier Azanza López, Manuel Vilches Morales
343-368
A Devotional Garland by Jan Philip van Thielen and Erasmus II Quellinus in the Collection of the University of Navarra
https://doi.org/10.25293/philostrato.2024.13
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Claire Van Nerom
369-383
Could the Ancient Ram in the Palermo Museum Have Inspired the Lamb in the Toledo saint John the Baptist Attributed to Caravaggio?
https://doi.org/10.25293/philostrato.2024.14
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Francisco Manuel Valiñas López
385-397
The Family of Philip V by Louis-Michel van Loo. An Iconological Interpretation
https://doi.org/10.25293/philostrato.2024.15
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Reports (Books or exhibitions)

Macarena Maria Moralejo Ortega
398-401
Rubens a Palazzo Te. Pittura, trasformazione e libertà, ed. Morselli, Raffaella con la colaboración de Paolini, Cecilia, Mantova, 2023
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