Abstract
In this paper the authorship of a Crucifixion attributed to Abraham van Diepenbeeck is returned to Victor Wolfvoet. It is proved by the iconography and the style of this painting, which is influenced by a sketch from Rubens and, specially, by an engraving from Jacob Neefs in which the same theme is depicted.
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Copyright (c) 2018 Epiarte, S.L.
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